Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

A minimalist film by Tony Conrad

Tony Conrad explains his work 'Yellow Movie 2/28/73' during 'The Language of Less' exhibition at the MCA in Chicago in December 2011:

"I wanted to push the frame, and I didn't know exactly how to push the framework, except to do things like this, so I could imagine you see that it would be possible to actually to get very close and then manufacture the material, to manufacture the actual emulsion material somehow and this would enable a completely different understanding of what film would be like and what it would do and I thought in terms of long durations...  and so I should make a film that just beggars Andy Warhol's 24 hour long film.  I'll make one that'll last fifty years.  But how..."

"...and so in that way it's sort of also revealing something about the relationship between paint and architecture, that paint is a movie record of what goes on in the space..."



The clip was shown at S1 Artspace in Sheffield on Saturday 10. March 2012 during the discussion between the artist Jennifer West and Gregory Kurcewicz.  Jennifer West's exhibition 'Aloe Vera and Butter', which consists of two large scale video triptychs, is showing there until 17. March. 2012.

Further material can be found on Tony Conrad's website, which includes his essay 'Duration' from 2004.

Street art in Rome



Sheffield's Kid Acne represents Britain at the 'Outdoor - Urban Art Festival' in Rome, October 2011

(photo © Russell Light, January 2012)



(video part in English and part Italian)

See also: Outdoor Urban Art Festival and out-door.it (Italian)

A map showing the location of the pieces can be found on NU Factory.

How to direct a film...


The Girl Chewing Gum - John Smith (1976)


"The films of John Smith create a world from the ‘simple’ experiences of living, breathing and being a filmmaker or artist in a particular place and time. Smith's often humorous films produced over the last 30 years have inventively documented and probed his immediate surroundings, often not even moving much beyond the front door of his various abodes in a small area of East London."

Adrian Danks (2003)

Adrian Danks analysis 'On the Street where You Live: The Films of John Smith', can be found on the Senses of Cinema website.

Steele's glaziers that features in the film is now Scooter Den. The building at the junction of Stamford Road and Kingsfield Road has lost its clock and sprouted an additional floor. The Dalston Odeon was demolished in 1984. The University of London van was used as a getaway vehicle in an armed robbery and was written off when it crashed into an electricity pylon...


Still from 'Leading Light' (1975)


Further details and video clips can be found on johnsmithfilms.com


Thanks to Lukas Barry for pointing me in the direction of this.

The Dormitorium: The Brothers Quay

Some photos from the exhibition of the work of the Brothers Quay that is currently showing at the crypt of the Town Hall in Leeds...















(all photos © Russell Light, October 2011)


Further details of the exhibition can be downloaded here.

There is also a suitably eccentric interview with the Quay Brothers from when the Dormitorium exhibition premiered in Philadelphia in 2009...



Interestingly, particularly given the comments that the Brothers Quay make about lighting in this interview, the exhibition in Philadelphia took place in a brightly lit, white walled gallery space, with the 'décors' mounted on plain white plinths. In the crypt at Leeds Town Hall a very contrasting approach was taken, which has resulted in a much more atmospheric exhibition. The crypt was only lit by the lighting that was necessary to illuminate the interior worlds of the 'décors' and the exhibits' shipping crates were themselves used as raw plinths.

An entry about the Brothers Quay's film on anamorphosis can be found on my perspective resources site.

Ten TEDs

Ten TED talks carefully chosen for your enjoyment...



Doodling as a positive act...


Fishnets, subways and wonder...
Janet Echelman: Taking imagination seriously (9mins)

New York's High Line


The details of architecture...



How to draw a book...

Malcolm McLaren: Authentic creativity vs. karaoke culture (50mins)

The emotional power of well designed objects...

Urban density and ecosystems...
Alex Steffen: The shareable future of cities (10mins)

In a dark space: cinema and the city

The taster video for Studio One, 2011-2012, with scenes from Federico Fellini's Roma, is now available online...



For some alternative interpretations of Rome in films, see Roman HolidayBelly of an Architect or Caro Diario.

More Fellini: La Dolce Vita (French trailer)

Further background on Rome can be found on the Studio One blog for 2008-09, although the theme then was travel, authenticity and the past, rather than the relationship of architecture and film.

Some initial reading:

N AlSayyad (2006) - 'Cinematic Urbanism: A History of the Modern from Reel to Real', Routledge

D Bordwell and K Thompson (2010) - 'Film Art: an Introduction', 9th edition, McGraw-Hill

G Bruno (2002) - 'Atlas of Emotion: Journeys in Art, Architecture and Film', Verso

S R Joshel et al, eds. (2001) - 'Imperial Projections: Ancient Rome in Modern Popular Culture', Arethusa

D Neumann (1996) - 'Film Architecture: From Metropolis to Blade Runner', Prestel

F Penz (2011) - 'Urban Cinematics: Understanding Urban Phenomena Through the Moving Image', Intellect

K Shonfield (2000) - 'Walls Have Feelings: Architecture, Film and the City', Routledge
- Includes chapters: 'How Brutalism defeated picturesque populism: parallels in film and architecture' and 'Why does your flat leak?'

R Wrigley, ed. (2008) - 'Cinematic Rome', Troubador


See also: Studio One

Quoting Benjamin

"History breaks down into images, not into stories".

Walter Benjamin


"There are probably as many Benjamins as there are readers and one could say that is a triviality, but certainly I can't think of a thinker with that kind of malleable quality of Benjamin. I can't think of anyone else who approximates that.  The way that Benjamin is used most in this country, is to dip in and take a quotation out of context in support of any argument one can think of, and I used to take umbrage at this, until of course I realised that this is precisely Benjamin's own practice: to dip in and take a quotation out of context and mount it into a dialectical image and see what sparks fly".

Michael Jennings (author of 'Dialectical Images')



'One Way Street: Fragments for Walter Benjamin' - directed by John Hughes, 1993
(Ubuweb video - 58 mins)


Ubuweb is a great online resource for a wide range of films and documentaries about modern artists and thinkers.